fostering cooperation through music
A brief tutorial how it’s done within minutes
To share your ideas with others, make some copies and pass them forward.
Use the booklet as convenient handout during workshops or school excursions.
Presentation and music © Ludwig Pesch Creative Commons
What do we need?
“Just as flow is a prerequisite for mastery in a craft, profession, or art, so too with learning. Students who get into flow as they study do better, quite apart from their potential as measured by achievement tests.” – Daniel Goleman in Emotional Intelligence
Learn more in the context of a free, raga-based exercise that can be taught and practiced anywhere, any time with a modicum of experience and perseverance >>
“True happiness is not at all expensive. It depends upon that natural spring of beauty and of life, harmony of relationship. Ambition pursues its own path of self-seeking by breaking this bond of harmony, digging gaps, creating dissension. Selfish ambition feels no hesitation in trampling under foot the whole harvest field, which is for all, in order to snatch away in haste that portion which it craves. Being wasteful it remains disruptive of social life and the greatest enemy of civilization.” | Read the full lecture >>
Source: Rabindranath Tagore in “Robbery of the soil” (Calcutta University, 1922), posted by Tony Mitra on a blog “Exploring citizens duty on food security, environmental sustainability, covid and freedom issues” (27 September 2015)
https://www.tonu.org/tag/robbery-of-the-soil/
Date visited: 12 January 2021
Ideally in a very profound way – the way families have shared music for thousands of years, and long before music became a commodity:
So it’s a rainy day in 2050 and you and your friends decide you’d like to see a concert. […] Emmy Parker, a cultural futurist and former brand manager for synthesizer maker Moog Music, said that the future could also allow us to experience music and sound in a very profound way, the way families have shared music for thousands of years, and long before “music” became a commodity.
“How can we expand that simple idea, which has been on planet Earth probably for 150,000 years, that we play music together to, number one, connect with each other?” said Parker.
19:40 we play music together, to connect to our higher self or God or universe; to our ancestors, to bring us back to another time and place […] very similar to a time traveler.
We use to heal our minds, our hearts and spirit, and our body, and connect to each other, to our families.
Listen to Spark’s Next Big Thing series, which explores how technology in various guises might affect humanity in the far future >>
Kabir was essentially a poet and musician: rhythm and harmony were to him the garments of beauty and truth. Hence in his lyrics he shows himself to be, like Richard Rolle, above all things a musical mystic. Creation, he says again and again, is full of music: it is music. At the heart of the Universe “white music is blossoming”: love weaves the melody, whilst renunciation beats the time. It can be heard in the home as well as in the heavens; discerned by the ears of common men as well as by the trained senses of the ascetic. Moreover, the body of every man is a lyre on which Brahma, “the source of all music,” plays.
Everywhere Kabir discerns the “Unstruck Music of the Infinite”—that celestial melody which the angel played to St. Francis, that ghostly symphony which filled the soul of Rolle with ecstatic joy.
Songs of Kabir by Rabindranath Tagore, p. 19
https://archive.org/details/songs-of-kabir
Listen to Tagore: Unlocking Cages: Sunil Khilnani tells the story of the Bengali writer and thinker Rabindranath Tagore: https://bbc.in/1KVh4Cf >>
The acclaimed BBC 4 podcast series titled Incarnations: India in 50 Lives has also been published in book form (Allen Lane).
“I was moved by how many of these lives pose challenges to the Indian present,” he writes, “and remind us of future possibilities that are in danger of being closed off.”1