A Musical Lotus Pond – workshop at ISME 2012 World Conference

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Purpose
Probing the depths of Indian sounds and symbols both for their interdisciplinary potential and intrinsic value.

Content
We pool musical, visual and numerical motifs. Sounds, hand gestures and movements link two school subjects within a single session; and more subjects wherever this approach lends itself to being integrated into a curriculum.

Method
The “Musical Lotus Pond” is a biotope where beauty flourishes in unexpected ways. Each participant embellishes a sheet of paper containing numbers and shapes. These form the basis for musical activities. At the conclusion, the sheets are folded into small cones resembling the “school cones” traditionally used to entice European children to attend school. Children will spontaneously share their experiences with peers and family members.

Application for integrated education
Analytical thinking, self-expression and teamwork are cultivated. For this purpose, motifs derived from Indian music are combined with those belonging to subjects as diverse as visual arts, geography, biology, physical education and maths.

Pure maths is a religion and in the East, valued for more than merely its technical applicationNovalis (1799)

Background information
Indian culture is permeated by synesthetic associations that make learning both enjoyable and (cost) effective. Moreover it fosters concentration and teamwork. It is therefore no coincidence that the ubiquitous lotus motif symbolizes the aspiration to rise above the ordinary and beyond predictability.
The presenters work with the motto “Adapting Indian Universals in Music Education” (AIUME); and this in response to the needs of children and music students. Contributions to exhibitions (e.g. Museum Rietberg Zürich and Royal Tropical Museum Amsterdam) complement their artistic and scholarly pursuits: one is a singer, composer and multi-instrumentalist; the other trained and performed as flautist in India, and authored The Oxford Illustrated Companion to South Indian Classical Music.

I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared. – from Gitanjali by Nobel Awardee Rabindranath Tagore

Listen to Tagore: Unlocking Cages: Sunil Khilnani tells the story of the Bengali writer and thinker Rabindranath Tagore: https://bbc.in/1KVh4Cf >>
The acclaimed BBC 4 podcast series titled Incarnations: India in 50 Lives has also been published in book form (Allen Lane).

“I was moved by how many of these lives pose challenges to the Indian present,” he writes, “and remind us of future possibilities that are in danger of being closed off.”1

  1. Sunil Khilnani quoted in a review by William Dalrymple in The Guardian, 14 March 2016[]

Global Music Academy – Berlin workshops and regular courses by Manickam Yogeswaran

Manickam Yogeswaran teaches the following courses at the Global Music Academy  campus:

  • “Tha Ka Dhi Mi” (solkattu and kanjira-drumming techniques)
  • “Tanam, Thanam Anantham – Schönheit und Freude am karnatischen Gesang“ (vocal lesson or workshop)
  • “Mridangam“ – das rhythmische Fundament südindischer Musik” (rhythm lesson or workshop)
  •  “Venu Ghanam” (flute lesson or workshop)

For dates and other details please contact the Global Music Academy:
Global Music Academy
Bergmannstraße 29
10961 Berlin
Tel. +49 (0)30 612 023 69
www.global-music-academy.net

Manickam Yogeswaran – reviews

“A singer in the Indian classical tradition, a great improviser and someone who brings a completely different approach to intonation.” – SINGER MAGAZINE

“The contemporary feel of the music is a result of the catchy harmonies and melodies melding perfectly with the historical roots and Tamil musicianship. … Astounding!” – Matthew Forss –insideworldmusic.blogspot.com

“Laced with haunting Tamil vocals by British-based musician Manickam Yogeswaran … shaping its emotional crescendo.” – FILM SCORE DAILY (“25th hour” filmscore by Terence Blanchard)

“skilful modulation … soft and malleable voice” – THE HINDU

“For Yogeswaran’s flight of imagination there was only his own piece, a South Indian Ave Maria …  a high point.” (The Shout Christmas Show) – THE GUARDIAN

”Yoga’s vocal technique comfortably manages a range of pitch, intensity, volume and speed … designed to carry words of peace, love and devotion. – (CD review “Peace for Paradise”) Matthew Shorter – GLOBAL MUSIC CULTURE

Yogeswaran’s music is steeped in the Temple traditions of South India.

He is a disciple of Padmabushan Sangitha Kalanidhi Sri T V Gopalakrishnan.

Yogeswaran performs worldwide: from traditional “Carnatic” formats (accompanied by violin, mirdangam, kanjira and tambura) to orchestras just as in musicals and in the context of Western contemporary music.

As noted by Indian and Western reviewers, his concerts are marked by a rear blend of creativity, virtuosity and high emotive quality.

He was the first ever Tamil voice in Hollywood.

More on https://www.facebook.com/manickam.yogeswaran >>