ePUB | Zusammen sind wir stark: Ein Buch für Kinder und Erwachsene von Martin Kämpchen

Zusammen sind wir stark! von Martin Kämpchen

Als klassisches Vorlesebuch konzipiert, lädt diese Geschichtensammlung Eltern und Großeltern dazu ein, sich gemeinsam mit ihren Vor- und Grundschulkindern in eine uns ferne Lebenswelt entführen zulassen. Es sind Erzählungen zum gemeinsamen Erleben, zum Staunen und zum Wundern. Das Buch ist sparsam und einfach illustriert: Kohlezeichnungen des indischen Künstlers Sanyasi Lohar wechseln mit zeichnungsartig verfremdeten Fotografien des Ortes Merangdi und seiner Umgebung ab.

Mehr von und über Martin Kämpchen

Tagore’s devotion to the ideal of a world without cruel, irrational discrimination – Unesco

Rabindranath Tagore sketched by Martin Monickendam (Amsterdam lecture, 23 September 1920)

Rabindranath Tagore: a universal voice

Rabindranath Tagore, philosopher, educator, novelist, poet and painter, is without challenge one of the greatest and most noble figures of modern times. Not only was he awarded the rare honour of the Nobel Prize for Literature, but he also won the distinction far more rare, less spectacular but much more significant, of having his works translated into different languages by writers of equal glory, Nobel Prize winners in their own right, such as André Gide in French and Juan Ramon Jimenez in Spanish.

India today does not celebrate merely the thinker and writer. Above all, India reveres Tagore’s generous, universal soul, open to the problems not only of his own land but of the world, the son of the Maharshi Debendranath Tagore, who had been one of the guiding spirits of the Brahma-Samaj. For one of his greatest works, the monumental novel Gora, Rabindranath was to choose as theme the trials and problems of this movement. It is not merely by chance that Unesco, among its many undertakings towards the celebration of Tagore’s Centenary, has decided to publish the first French translation of this very novel. For in this book the poet stresses with great fervour and by moving scenes depicted with all his skill as a writer, his zealous devotion to the ideal of a casteless world, a world without cruel, irrational discrimination between one human being and his fellow men. […]

Writing days after Tagore’s death in August 1941, Jawaharlal Nehru said : “Both Gurudev and Gandhlji took much from the West and from other countries, especially Gurudev. Neither was narrowly national. Their message was for the world.” Tagore was in truth a living link between East and West. And so he willed it. His entire life he fought against narrow distrust of foreign cultures. He had faith in the fruitfulness of cultural intercourse and friendship. With this message he was and remains a Guru to Unesco, and it is both fitting and imperative that Unesco’s homage to Tagore should join that of the rest of mankind.

Vittorino Veronese

Message from the Director-General of Unesco, to the Tagore Centenary celebrations in Bombay in January [1961] >>

Read this issue. Download the PDF >>

Date accessed: 3 September 2021

Listen to Tagore: Unlocking Cages: Sunil Khilnani tells the story of the Bengali writer and thinker Rabindranath Tagore: https://bbc.in/1KVh4Cf >>
The acclaimed BBC 4 podcast series titled Incarnations: India in 50 Lives has also been published in book form (Allen Lane).

“I was moved by how many of these lives pose challenges to the Indian present,” he writes, “and remind us of future possibilities that are in danger of being closed off.”1

  1. Sunil Khilnani quoted in a review by William Dalrymple in The Guardian, 14 March 2016[]

Why Carnatic Music Matters More Than Ever

by Ludwig Pesch

Published by Shankar Ramchandran on behalf of Dhvani Ohio | Read or download the full article (PDF, 800 KB, updated 19 June 2021):

Attribution-NonCommercial-ShareAlike 4.0 License

Sruti Magazine (October 2018)
Learn more on carnaticstudent.org:
A brief introduction to Carnatic music >>

For this musicologist and author, there are good reasons to believe that Carnatic music matters, perhaps more than ever and almost anywhere in the world. So why not perform and teach it in the service of better education for all, for ecological awareness or in order to promote mutual respect in spite of all our differences? And in the process, get “invigorated and better equipped to tackle the larger issues at hand”.

Related post

What makes one refer to Carnatic music as “classical or art music”? | Carnaticstudent.org >>

A Theatre for All: Sittrarangam (The small theatre Madras) – Free Download

A Theatre for All Sittrarangam—the small theatre Madras by Ludwig Pesch with a Foreword by Himanshu Burte

Download the epub-version for offline reading, printing or getting read out on the Archive.org website >>

eka.grata publications © Amsterdam 2002 (print version), 2016 (ebook versions)

Digital edition © Ludwig Pesch 2016 based on the 2nd revised edition 2002This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-sa/4.0/.

Beautifully and very imaginatively conceived. India needs theatres of this kind in every village.

Goverdhan Panchal, Emeritus Instructor of Scene Design at the National School of Drama and author of books and articles on traditional Indian theatre

Project website
https://www.natyasala.mimemo.net/Natyasala/Small_theatre.html

Sittrarangam is discussed in the chapter on Indian theatre architecture together with Kalakshetra and Kerala Kalamandalam in:
The Oxford Companion to Indian Theatre edited by Ananda Lal (New Delhi: Oxford University Press, 2004), pp. 18-19
http://www.worldcat.org/oclc/470139309

“Beethoven has given us the music of advaita”: Vinay Lal on a celebrated composer’s search of the soul for the transcendent

This month [December 2020] marks the 250th birth anniversary of Ludwig van Beethoven. In ordinary times, Germany, Austria, and a good part of the world beyond Europe would have been ablaze with celebrations: as the opera composer Giuseppe Verdi, a man whose reputation in some circles would be just as great, remarked: “Before the name of Beethoven, we must all bow in reverence.” However, in India, even without the coronavirus pandemic, there would not have been much of a stir. Beethoven’s name is by no means unknown, and India doubtless has its share of afficionados of Western classical music. […]

Stunningly [a] quote from the Iliad is preceded in Beethoven’s notebook by an excerpt from the Gita that he took to be its central teaching:

“Let not thy life be spent in inaction. Depend upon application, perform thy duty, abandon all thought of the consequence, and make the event equal, whether it terminate in good or evil; for such an equality is called Yog, attention to what is spiritual.”

Beethoven’s contemporary, the composer Franz Schubert, was almost singular in recognizing that the late string quartets were perhaps an expression of the ineffable in human existence and the search of the soul for the transcendent. Listening to the String Quartet No. 14 in C minor (Opus 131) for the last time, just before his own death a year after the passing of Beethoven, Schubert exclaimed, “After this, what is left for us to write.” Opinion would begin to swing the other way many years after Beethoven’s death, but what is singularly striking is that musicologists have been loath to consider how Indian philosophy may have contributed to carving out in Beethoven’s frame of thinking a space for the melancholic longing for the liberation that the Buddhists describe as nirvana and the Hindus as moksha. After the Upanishads and Shankaracharya, Ramana Maharishi and Sree Narayana Guru, India must recognize that Beethoven has given us the music of advaita.

Source: “Imagining Beethoven in India” by Vinay Lal (Professor of History & Asian American Studies, University of California, Los Angeles UCLA)
URL: https://vinaylal.wordpress.com/2020/12/30/imagining-beethoven-in-india/
Date visited: 2 January 2020

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