Würdigungen von Prof. Dr. Srinivasa Ayya Srinivasan

Prof. Dr. S.A. Srinivasan 18.09.1932 – 02.05.2019

Würdigung von Prof. Dr. Srinivasa Ayya Srinivasan, Universität Hamburg, durch seinen Kollegen Lambert Schmithausen, anlässlich der Gedenkfeier am 20. Mai 2019 | Text der Würdigung (PDF) >>

Würdigung durch seine ehemalige Schülerin Karin Preisendanz, Universität Wien, anlässlich der Gedenkfeier am 20. Mai 2019 (verlesen von seinem Freund und Kollegen Eli Franco, Universität Leipzig) | Text der Würdigung (PDF) >>

Würdigung durch seine Schülerin und Nachfolgerin Eva Wilden, Universität Hamburg, anlässlich der Gedenkfeier am 20. Mai 2019 | Text der Würdigung (PDF) >>

Veröffentlichungen von Prof. A.S. Srinivasan

Titelbeschreibungen auf worlcat.org >>

Hinduismus und ökologische Ethik: Einige Bemerkungen
http://www.worldcat.org/oclc/900603864 | Details in German (Vienna University) >>

The goddess Māriyammaṉ in music and in sociology of religion
by Pia Srinivasan Buonomo; Srinivasa Ayya Srinivasan
http://www.worldcat.org/oclc/247408025
Open access version (text and audio files discussed): 
https://archive.org/details/mariyamman-in-music

On the composition of the Nāṭyaśāstra
http://www.worldcat.org/oclc/499646888

Studies in the Rāma story : on the irretrievable loss of Vālmīki’s original and the operation of the received text as seen in some versions of the Vālin-Sugrīva episode
http://www.worldcat.org/oclc/560465987

Nonviolence and holistically environmental ethics : gropings while reading Samayadivākaravāman̲amun̲i on Nīlakēci
http://www.worldcat.org/oclc/929910155 / http://www.worldcat.org/oclc/899297850

A musical tribute to Prof. S. A. Srinivasan by Karaikudi Voyage – Sreevidhya Chandramouli (vocal & vina) | Learn more >>

Yves Rousguisto playing a newly made « galoubet » (flute Provençale)

After making and tuning this beautiful reed flute within about half an hour, Yves Rousguisto plays it to demonstrate its fingering.

More information about musician, musicologist, teacher and instrument maker Yves Rousguisto is found on his homepage and social media account:
http://yves.rousguisto.pagesperso-orange.fr
https://www.facebook.com/yves.rousguisto
Video taken in Vence on 15 June 2019 by Ludwig Pesch (recipient of this delightful instrument)

More about this instrument and similar flutes:
https://fr.wikipedia.org/wiki/Galoubet
Le galoubet by Patrick le Provençal (Patrick ROUGEOT):

C’est un instrument que l’on retrouve dans de nombreux pays depuis le moyen âge (Espagne, Italie, Pays-Bas, Autriche, Allemagne, Irlande, …) mais le terme galoubet date de 1723. Le modèle le plus utilisé en Provence est celui en Si naturel appelé “ton de St Barnabé”.

Cette flûte à bec percée de trois trous (deux dessus et un dessous) permet le jeu de la seule main gauche tandis que la main droite peut frapper le tambourin. Malgré le nombre réduit de trous, le galoubet peut couvrir une douzième, c’est-à-dire un octave et demi. En faisant varier l’intensité du souffle, on peut obtenir plusieurs notes avec un même doigté. La longueur totale d’un galoubet dans le ton de St Barnabé est d’environ 36 cm.

Les bois les plus utilisés pour la fabrication des galoubets sont l’Ebène, le Buis, la Palissandre et l’Olivier.

Source: https://locepon.pagesperso-orange.fr/instruments/instruments.htm

On the responsibility to share one’s legacy: “My music is never isolated” – Aruna Sairam

The Sangita Kalanidhi is a happy validation of Sairam’s life and struggles, but “it also entails an important responsibility — to record, document, and share,” she points out.

This year’s Sangita Kalanidhi awardee says the freedom to create helped her channel her life into art | Read the full interview (The Hindu, 5 October 2018) >>

Related post

Exploring a wealth of rhythmic and melodic motifs: Interactive music session for and with Montessori teachers – Zurich

At the invitation of Christine Urand (Director, Rietberg Montessori School) Ludwig Pesch took the full assembly of teachers on a musical journey across South India: exploring a wealth of rhythmic and melodic motifs suitable for young learners while enabling parents, teachers and care-givers to enjoy music making themselves (even as “lay people”, musically speaking).

This event was also an occasion to explore and discuss the scope for actively participating in an intercultural dialogue, something the presenter has long been known for, while paying homage to Maria Montessori; 1 both as contributor to ISME World Conferences and in association with educational and cultural institutions across the entire spectrum: teacher training, kindergarten, schools, rehabilitation just as staff integration programmes; conservatoria and universities in several countries; and creative projects developed in association with the Goethe Institute and exhibition makers at internationally renowned museums.

Date: 1 March 2018. Events on similar lines have been developed in conjunction with Museum Rietberg (Zurich) on the occasion of exhibitions of rare Indian art (in collaboration with art education staff).

Deutsch: Eine musikalische Reise für alle >>


  1. From 1939 until 1947 Dr. Maria Montessori worked closely with Rukmini Devi, founder of Kalakshetra (est. in 1936 in Adyar/Madras, now part of Chennai) These pioneering efforts remain as relevant today as in the early 20th century[]

Ludwig Pesch – reviews & testimonials

“Your collaboration is, I think, an inspiration to many. The presentation you both gave was the highlight of the conference for me. Fascinating discussion afterwards.” – Paul Christiansen (School of Music, University of Southern Maine); on the paper and lecture recital presented by Manickam Yogeswaran and Ludwig Pesch at the International Congress Music | Musics. Structures and Processes (Goettingen University 2012)

“Excellent concert by German flautist – The Carnatic flute recital by Ludwig Pesch was a feast for the ears of music lovers. ” – MATHRUBHUMI: The National Daily in Malayalam

“An eloquent demonstration of the universal fact that music transcendents cultural and linguistic barriers … Pesch impressively delivered choicest numbers strictly adhering to the tenets of classicism” – INDIAN EXPRESS, Cochin

“Pesch presented an incredibly beautiful and inspired solo improvization.” -BERLINSKE TYDINGE, Copenhagen

L Pesch flute

“Carnatic music appeals in a direct manner and is also characterized by a degree of playfulness. Through its crisp and concentrated compositions, Pesch created melodies that reached one’s heart … altogether a splendid introduction to a music that deserves to be known much more widely.” – EINDHOVENS DAGBLAD; The Netherlands

“Both types of listeners – those new to classical Indian music and arts as well as connoisseurs – benefitted by way of inspiration, new insights and a high degree of aesthetic pleasure …. with his bamboe flute, Ludwig Pesch demonstrated everything he had earlier conveyed theoretically.” – KIELER NACHRICHTEN

“The flute player from the land of Beethoven … treated an audience of Trichur’s music lovers to a rare feast of music.” – DEEPIKA (Malayalam Daily), Trichur

“A rare evening of pure music.” – MALAYALAM MANORAMA (Malayalam), Cochin

“Captivating and chaste rendition … an active cultural ambassador … and a golden link with the West.” – ANOTHER GARLAND: A Biographical Dictionary of Carnatic Composers and Musicians; Chennai, 1993

Book reviews >>